Pink and green and neon yellow glistens on every body (chrome or otherwise) in the showroom, but Ruben Impens’ cinematography follows Alexia as she guides us through this space where she feels most at home. She splays her near-naked form atop the hood of an automobile to the beat of music, contorting and touching herself with simmering lust for the inanimate machine adorned with a fiery paint job to match Alexia’s sexuality. Eighteen years following the childhood incident, Alexia is a dancer and car model, venerated by ravenous male fans aching to get a picture and an autograph with the punky, sharp-featured young woman. Titane is a convoluted, gender-bending odyssey splattered with gore and motor oil, the heart of which rests on a simple (if exceedingly perverted) story of finding unconditional acceptance. It’s something that Ducournau has already proved familiarity with, but the French director takes things to new extremes with her sophomore film. Bones break, skin rips, libidos throb-the human body is pushed to impossible limits. Julia Ducournau’s Palme d’Or-winning follow-up to 2016’s Raw crunches, tears and sizzles. Perhaps, it is because he knew what Alexia would become perhaps, Alexia was just born bad. As the doctor removes Alexia’s surgical metal headgear, her father looks on with something that can only be described as disdain for his child. It was a procedure that seemingly strengthened a curious linkage between her and metal and machine, an innate affection for something hot and alive that could never turn away Alexia’s love. The accident rendered her father mostly unscathed, and Alexia with a titanium plate implanted in her skull. Her insistence on using her voice to mimic the rev of an engine as a young girl (played by Adèle Guigue) while her irritated father (French director Bertrand Bonello) drove was so undaunted that one day she caused him to lose control of the vehicle. It's not hyperbole to say that you will have absolutely no idea where this film is heading and we're not about to spoil the many bizarre twists and turns that await you! French zaddy Vincent Lindon becomes a major character in the film's second half, though we can't get into the particulars of how he and Alexia cross paths.Alexia (Agathe Rousselle) had an early connection with cars. One night, she finds herself drawn inside a car and eventually has sex with the car itself, leading her down a path that is absolutely, positively impossible to predict. As an adult, she works as a model at various car shows by day and stalks the men she encounters at the shows at night, seducing and murdering them. The accident not only left her permanently scarred, it also gave her an unhealthy fixation with automobiles. Titane focuses on a woman named Alexia ( Agathe Rousselle) a woman fitted with a metal plate in her head following a car accident as a child. Winner of the Palme d'Or at the 2021 Cannes Film Festival, Titane (2021) is a French film that is unlike anything you've ever seen before or anything you'll ever see again! Following in the footsteps of her debut film Raw (2016), director Julia Ducournau is carving out a niche for herself in the world of body horror with singular visions that will haunt viewers long after the film ends.
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